| 翻訳と辞書 |
| Site-specific art ： ウィキペディア英語版 |
Site-specific art
Site-specific art is artwork created to exist in a certain place. Typically, the artist takes the location into account while planning and creating the artwork. The actual term was promoted and refined by Californian artist Robert Irwin, but it was actually first used in the mid-1970s by young sculptors, such as Patricia Johanson, Dennis Oppenheim, and Athena Tacha, who had started executing public commissions for large urban sites (see Peter Frank, “Site Sculpture”, Art News, Oct. 1975).
Site specific environmental art was first described as a movement by architectural critic Catherine Howett (“New Directions in Environmental Art,” Landscape Architecture, Jan. 1977) and art critic Lucy Lippard (“Art Outdoors, In and Out of the Public Domain,” Studio International, March–April 1977).
==History==
Site-specific art emerged after the modernist objects as a reaction of artists to the situation in the world. Modernist art objects were transportable, nomadic, could only exist in the museum space and were the objects of the market and co modification. Since 1960 the artists were trying to find a way out of this situation, and thus drew attention to the site and the context around this site . The work of art was created in the site and could only exist and in such circumstances - it can not be moved or changed. Site is a current location, which comprises a unique combination of physical elements: depth, length, weight, height, shape, walls, temperature.〔Miwon Kwon. "One Place After Another: Site-Specific Art and Locational Identity". – London and Cambridge, Mass.: Massachusetts Institute of Technology, 2002.〕 Works of art began to emerge from the walls of the museum and galleries (Daniel Buren, Within and Beyond the Frame, John Weber Gallery, New York, 1973), were created specifically for the museum and galleries (Michael Asher, untitled installation at Claire Copley Gallery, Los Angeles, 1974, Hans Haacke, Condensation Cube, 1963–65, Mierle Laderman Ukeles, Hartford Wash: Washing Tracks, Maintenance Outside, Wadsworth Atheneum, Hartford, 1973), thus criticizing the museum as an institution that sets the rules for artists and viewers.〔
抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』
■ウィキペディアで「Site-specific art」の詳細全文を読む
スポンサード リンク
| 翻訳と辞書 : 翻訳のためのインターネットリソース |
Copyright(C) kotoba.ne.jp 1997-2016. All Rights Reserved.
|
|